THOMAS ENGLISH / DIRECTOR OF PHOTOGRAPHY Right to work visa free in UK and EU
Needed to plan and use a hell of a lot of lights as well as planning for shadows and camera movements. The big one was the 3D anamorphosis shots where we pre-rendered the 3D ground plan to a sweet spot that we could definitely get a crane. Finding that position in previz became even more important as we went fixed arm crane rather than technocrane.

Needed to plan and use a hell of a lot of lights as well as planning for shadows and camera movements.

The big one was the 3D anamorphosis shots where we pre-rendered the 3D ground plan to a sweet spot that we could definitely get a crane. Finding that position in previz became even more important as we went fixed arm crane rather than technocrane.

Kylie Minouge "Infinite Disco"

PREVIZ

Needed to plan and use a hell of a lot of lights as well as planning for shadows and camera movements. The big one was the 3D anamorphosis shots where we pre-rendered the 3D ground plan to a sweet spot that we could definitely get a crane. Finding that position in previz became even more important as we went fixed arm crane rather than technocrane.